Lilly Goren, Ph.D.
lgoren@carrollu.edu
Carroll College (WI)
Phone: 6127435822
City: Milwaukee, Wisconsin - 53211
Country: United States
Social Media:
About Me:
I teach courses on American Politics and Government, The Presidency, Public Policy, Constitutional Law, Political Theory, Politics and Popular Culture, and Gender Theory. I spent the spring of 2018 as a Fulbright Fellow at University of Bonn in the North American Studies Program teaching undergraduate and graduate courses in politics, culture, and political theory. I work on research that often focuses on the political dimensions and understandings of popular culture in American and western politics.I am also co-host of the New Books in Political Science podcast on the New Books Network.
Research Interests
American Presidency And Executive Politics
Gender and Politics
Political Theory
Public Policy
Race, Ethnicity and Politics
Popular Culture
Gender And Politics
Gender
Women Presidential Candidates
Countries of Interest
United States
Germany
United Kingdom
Publications:
Journal Articles:
After the publication of What Happened, much attention was directed toward analyzing and commenting on a section of Hillary Rodham Clinton's book that detailed her thinking in a split-second situation during one of the presidential debates with Donald Trump. Clinton explains that during the second debate, which occurred just days after the release of the famous Access Hollywood tape in which Trump “bragged about groping women” (Clinton 2017, 136), Trump was more or less following her around the small stage, “staring at [her], making faces” (136). She notes that it was “incredibly uncomfortable. He was literally breathing down my neck” (136). But she also considers her response to Trump's physically threatening demeanor during the debate and whether she responded appropriately or “correctly.” Clinton kept her cool—she kept going in the face of what she describes as a physically menacing situation. She refused to be “rattled” by Trump's proximate presence or by the individuals he invited to sit in the audience to intimidate her.
This essay explores the political dimensions of popular culture, and how those dimensions transfer into and out of actual political debates, providing a understanding of the broader connection between the study of politics and popular culture. Specific attention is paid to the influence of industrialization on the expansion of and access to culture. The essay also analyzes more contemporary approaches to understanding popular culture, through melodrama, science fiction, and perspectives on gender and sexuality.
Throughout the 2008 Democratic primary, Senator Hillary Clinton, her supporters and advocates, feminist groups, and commentators accused the media of sexist coverage. Was Hillary Clinton treated differently in the media because of her gender? The authors attempt to answer this question by examining the forms of address that television newspeople use to refer to the Democratic primary candidates. The authors find that newspeople referred to Clinton more informally than her male competitors. This treatment stemmed from the gender of the broadcaster; males show gender bias in how they reference presidential candidates. The authors conclude with suggestions for addressing gender bias in news coverage.
Books Written:
Popular texts encourage audiences to imagine worlds different from their own. Questioning their current political worlds is at the heart of speculative fiction. The Marvel Cinematic Universe is a “cultural leviathan” with numerous interconnected movies, streaming series on Disney+, and an increasingly diverse cast of superheroes. The Politics of the Marvel Cinematic Universe brings together over 25 scholars with diverse specialties and methodologies to analyze how the MCU narrates, reproduces, mirrors, and impacts political and social ideas. The book is split into three main parts focusing on political origin stories, use and abuse of political power, and evolving diversity in the bodies of the heroes, villains, and victims. The contributors interrogate how the MCU engages – and affects – political society using language accessible to MCU fans and providing contributions to research in various subfields of political science. The book concludes that “Entertaiment media is itself a site where politically relevant messages are sent and received – pop culture is itself an arena of contemporary politics.”
Mad Men, using the historical backdrop of the many events that came to demarcate the 1960s, has presented a beautifully-styled rendering of this tumultuous decade, while teasing out a number of themes that resonate throughout the show and connect to the contemporary discourses that dominate today's political landscape. The chapters of this book analyze the most important dimensions explored on the show, including issues around gender, race, prejudice, the family, generational change, the social movements of the 1960s, our understanding of America's place in the world, and the idea of work in the post-war period. Mad Men and Politics provides the reader with an understanding not only of the topics and issues that can be easily grasped while watching, but also contemplates our historical perspective of the 1960s as we consider it through the telescope of our current condition.
The president of the United States traditionally serves as a symbol of power, virtue, ability, dominance, popularity, and patriarchy. In recent years, however, the high-profile candidacies of Hillary Clinton, Sarah Palin, and Michelle Bachmann have provoked new interest in gendered popular culture and how it influences Americans' perceptions of the country's highest political office. In this timely volume, editors Justin S. Vaughn and Lilly J. Goren lead a team of scholars in examining how the president and the first lady exist as a function of public expectations and cultural gender roles. The authors investigate how the candidates' messages are conveyed, altered, and interpreted in "hard" and "soft" media forums, from the nightly news to daytime talk shows, and from tabloids to the blogosphere. They also address the portrayal of the presidency in film and television productions such as Kisses for My President (1964), Air Force One (1997), and Commander in Chief (2005). With its strong, multidisciplinary approach, Women and the White House commences a wider discussion about the possibility of a female president in the United States, the ways in which popular perceptions of gender will impact her leadership, and the cultural challenges she will face.